Kings, Queens, and Monsters

by Modern Day Midas

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1.
Remember 00:39
2.
It's been a while since I wrote to you, my old friend that I once knew I hope you're happy now in what you chose to do and that forgiveness has found you too Well I've been good and I've been bad, I've been happy I've been sad But through all the lines I found the light from darker times to help me feel alright I'll let the hands of my father give me strength, and let the eyes of my mother teach me how to live in grace And the words from another wrapping me in warm embrace to get me through my hardest days Throughout my years there's been pain masked by the whiskey in my veins And all that time searching for someone else to blame instead of one to keep me sane I'll let the hands of my father give me strength, and let the eyes of my mother teach me how to live in grace And the words from another wrapping me in warm embrace to get me through my hardest days
3.
I'm on a summer drive to nowhere with an open road, a tank of gas, And a brand new unused lonely map that I won't open until I'm coming home Along the road I see a man with an outstretched thumb and guitar in hand and he looks a little bit like Elvis I say "how you doing, do you need a ride?" He says "uh-thank ya very much that would be nice" and so we start to drive And he sings me a little "love me tender love me so", he asks me where I'm going and I say I don't know He laughs that it's nice to get away from everything, and when we reach his stop he says "Thank you boy, you are a king" I'm on a summer drive to nowhere with an open road, a tank of gas, And a brand new unused lonely map that I won't open until I'm coming home Further along I meet a group with funny accents picking fruits in a strawberry field I pull on over, introduce myself, one says "my name's John and we could sure use help" and already this is so much better than yesterday He said "we're out here workin 8 days a week, but I feel fine with all these strawberries to eat". I don't mind I don't have anywhere to be and he says "thank you boy, you are a king" I'm on a summer drive to nowhere with an open road, a tank of gas, And a brand new unused lonely map that I won't open until I'm coming home Well I'm almost on empty and about to head back until I see a man dressed all in black looking like he was going to a funeral I pull on over and I offer him a lift to the next town and he says "no thank you I'm waiting for the man to come around" So I ask "hey can you please step out of the rain" and he says "the rain don't hurt, it don't cause me any pain" So I ask "hey stranger do you need anything" and he says "thank you boy, you are a king" I'm on a summer drive to nowhere with an open road, a tank of gas, And a brand new unused lonely map that I won't open until I'm coming home Well I'm coming home
4.
Sing about the trees, sing about the love that brings you down to your knees I'll sing about your heart and how every word you speak is a work of art It's a modern age I'm a modern sage, and music seems to be on a modern page It's a modern age you're a modern sage, and music seems to faux in modern rage Sing about the stars and the brightness of the light we wish was ours Sing about days when the simple life was meaningful it's own way It's a sacred age I'm a sacred mage, and music is always played on a sacred stage It's a sacred age I'm a sacred made, and we sing to let the beast out of their cage...away
5.
Queens 03:48
I would drive all night just to tell you that everything is gonna be alright And I will hold your hand and together we can mend the heart broken by another man I could fall asleep to a melody that's meant for me to sing me off into my dreams But I will hold my breath in my lungs where it belongs because I've given it so much in song to you To you I sing stores of Kings, Queens, and Monsters. Of heroes and impostors But none of them compare to the lives we live every day, the choices made the things we say This is a promise to the man I was before and the woman that he now adores Treat her like a queen the way your grandpa taught you to when you were young, I'll do that for you For you And I know it's not fair for me to say to you just how much I care I know it's not fair, but I'm not sorry. I'm not sorry
6.
It's never been an easy thing for me to say how I feel because that would make it real and I'd be exposed And it's never been an easy thing for me to deal with rejection, I think I need an intervention for my tongue So can we pause the story right here before I get it wrong Can we pause the story right here before you become a song I think a thing that terrifies me is you might say yes, then I'd have no distress, could I still create I'm addicted to a certain kind of pain and something to write about, to occupy my mind about, I should choose peace So can we pause the story right here before you get it wrong Can we pause the story right here before I become a song So can we pause the story right here before we get it wrong Can we pause the story right here before we become a song
7.
Lullaby 01:10
8.
The anthem of a lonely city on an island of air The wind sings so soft and pretty pretending to care And the earth sits beneath the clouds awaiting the sound Of the anthem of a lonely city to swell out loud And they sing War, War Woe, War Woe And the people in this lonely city, they live in despair Because they float so close to heaven with no grace to share And the moon sits above in space, ignoring the sound Of the anthem of a lonely city still gravity bound And they sing Woe, War Woe, War Woe
9.
Mask 03:47
Is anybody out there still honest Is anybody out there still true We lie for mystery, live inside our own history Is anybody out there still honest And I know you're scared, we've all been hurt before But are you prepared to show me something more And not a mask I'll show you what it takes to be honest And open up a hole in my chest And bleed out memories of why the monsters in my closet are scared of me I'll show you what it takes to be honest Just know I'm scared, I'd be crazy not to be But I'm prepared to show you all of me And not a mask
10.
Monsters 04:18
Well daddy's, daddy's little girl in the day and punching bag at night Daddy daddy he would say that what he is doing is right She has to learn, and he has to show her the way. She has to hurt, she has to learn to fear the pain Oh don't be scared, and don't you dare compare him to a monster He's no monster Well mama, she would just sit and cry, her way of giving a fuck Thankful that he spared the young boys eyes when she had no such luck But she grew strong, she learned how to get along. But she was wrong for letting it go on so long Oh don't be scared, and don't you dare compare them to a monster They're not monsters And the children, they would just run and play safe throughout their day But the boy would grind his teeth at night while the daughter prepared to fight Her screams became his nightly lullaby, he screams became the monster There's no monsters, no There's a monster
11.
Fortune 03:34
I hope fortune smiles on you through sonic residue And if your kingdom falls, I hope you will stand tall I hope the wind can bring you truth and memories from your youth May your ears be clad in gold through even sour notes I hope the ghosts of giants past taught lessons that will last And may your mind please stay complete, if only when we meet I hope fortune smiles on you through sonic residue And if your kingdom falls, I hope you will stand tall I hope you have found some hope since the last time that we spoke I hope you are now okay and have found the strength to stay I hope everything you've heard can help you through your hurt And I know not every song we sing is meant for listening I hope fortune smiles on you through sonic residue And if your kingdom falls, I hope you will stand tall I hope fortune smiles on you through sonic residue And if your kingdom falls, I hope you will stand tall

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released September 20, 2016

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Modern Day Midas Austin, Texas

Modern Day Midas weaves folk music from rural fields to urban jungles. A native of South Texas, Midas now resides in Austin, Tx. moving seamless between intimate original performances and tourist based entertainment atmospheres.

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